Jessie Maltin’s reviews look odd on the page. It’s not her fault: Broadway Baby’s brand new layout puts the first paragraph of each review in a massive font size, with the subsequent ones much smaller, and – unlike her Hollywood film-reviewing namesake, Maltin tends to only write two paragraphs. Sometimes, though, less is more and […]
Purely in the interest of dotting the i and crossing the t of this collection of reviewer reviews, I present, joylessly, my review of Eleanor Lang. I really shouldn’t have to bother, because Lang only reviewed one piece of comedy in 2013, preferring to review theatre and ‘physical’, whatever the hell ‘physical’ is. Also, she performed […]