‘Ariane Branigan is a prospective student living in Edinburgh’ says her potted Wee Review biography. Yes. She hasn’t EVEN managed to be a student yet. She’s a PROSPECTIVE one. So… You know those woke little squits wriggling about in a sea of deactivated culture semen? She hasn’t YET MANAGED to become one of them. Fucking […]
I can’t remember… is Sophie Cartman the underprivileged London one or the feral Scottish winner of the Steve Bennett Lower Class Munificence Outreach Award? At any rate she is producing reviews for Chortle at the rate of one a week, so we’re tempted to tell Steve he’s on a losing wicket here. YOU JUST CAN’T […]
Nobody could accuse Pujos of being dismissive about what she sees. Bloody hell no. She attends comedy shows as if she’s been asked to take notes for a Hague War Crimes tribunal; presenting each point before cross-examining it and (usually) finding it guilty of something. This jurisprudence is not in the service of seeing both […]
Stephanie Withers gives the impression of being scared of running over the word limit. Her reviews release their information in staccato squirts of data. Occasionally she’ll pair two sentences with a comma. But mostly it reads like this. However, her reviews are better than this makes them sound. They’re perfectly clear and she always takes […]
Dave Coates is one of those reviewers who, like a teacher at a long-established school, wants everyone to try their best. And he wants them to be cheerful about it.Jack Barry, for example, “seems self-aware enough that his mis-steps suggest a performer in the middle of a promising learning process”. Coates could have added “Will […]
Nick Awde has been around since gaslighting, writing about theatre and working on a string of large stage productions, some of them at the Fringe. This pedigree may explain the aloofness with which he told Phil Ellis’s Funz and Gamez Tooz to fuck off: “Guys, you got last year’s award because you were an in-joke […]
First the good news: Tamarin Fountain has an excellent name. Well, that’s not the good news. But she does, though. The good news is that Tamarin Fountain writes very clearly in plain English. Her style is friendly in a sub Marge-Proops way, and she lets you know what’s going on without getting too deconstructive: “This […]
There’s something very amusing about Catriona Scott’s reviews. She writes in the style of a Victorian botanist describing something nobody has ever seen before. She describes the physicality of the scene, the species of jokes and the sequence of events as if she’s anxious that the police might want to know later. She doesn’t find […]
What would the Fringe be without Three Weeks waking up really late in the proceedings and sneezing embryonic reporters all over us? It simply wouldn’t be as much fun. Every year we at FringePig scan the wires for the pitter patter of moisture falling from the wet patches behind the ears of these delightful people. […]
I’m starting to lose my faith in One4Review. In a year when Steve Bennett and Julia Chamberlain seem to have decided to do all their own spelling mistakes, One4Review seems to have spawned a whole new clutch of single-named review monkeys (all of which we’ll surname ‘Geoff’, because that’s what we do). However, I’m half […]
Vyvyan Almond’s sentences are quite over-constructed. They sometimes take so long to reach their point that reading his reviews puts you in mind of a Dickensian preamble. And Dickens, as we know, was paid by the word. That’s not to say that Almond writes with the wit or pathos of Dickens, of course. In fact […]
If all reviewers wrote like James McColl, Fringepig would be out of business. Not that Fringepig IS a business, obviously. Not until someone has the guts to take out an advert with us, anyway. No, if they all wrote as matter-of-factly as this chap there wouldn’t be much to moan about. “Laurence Clark is a […]
Well, you wait 67 years for an Edinburgh Fringe parody to happen, and then two come along at once. This one is very wet-nosed and friendly and is called Edimbrugh Fringe Dog. Fringe dog spells everything wrong and gives everyone five stars. As you know, we at Fringepig get quite cross with reviewers who use […]
To be honest, I’ve never much cared for the way The Telegraph denomes Mark Monahan “joint dance critic … and also writes about film and stand-up comedy”. It’s almost as bad as his colleague Dominic Cavendish, stand-up comedy critic AND deputy theatre luvvie. What do these disciplines have to do with each other? Nothing, that’s […]
Justin McCarthy doesn’t so much write reviews as retch words from every orifice. Like someone with lexical norovirus the deluge flows from both ends of his points of view, creating a big mess all over the page. “Simply the most bizarre show you will ever have the unfortunate and detrimental privilege to watch” he writes […]
I’m going to ignore the fact that Peter Dorman uses phrases such as “strap yourselves in” and “not one for the easily offended” and even – EVEN! – “a must see”… because, for the greater part, Peter Dorman is a capable reviewer. His reviews get to the point and express his opinion in plain English […]